There’s news
this week that an electric eel named Wattson is being used to help light up a
Christmas tree at the Tennessee Aquarium in Chattanooga.
This would be
wildly exciting news to my dad. He was a starry-eyed Christmas tree connoisseur,
and if alive today our living room would have an aquarium filled with electric
eels illuminating our Christmas tree.
Searching for
and decorating the absolute perfect Christmas tree was an obsession in our
house.
The annual
Christmas tree project began two weeks before Dec. 25. Dad would start it off by
honing the axe. Artificial trees barely existed back then and considering one,
instead of a live trophy cut and dragged from the woods, would be sacrilegious.
And, there was
no chainsaw. No saw of any kind. Only a hand axe could be used in the devout
work of whacking down the perfect Christmas tree.
On an appointed
morning, usually during a storm of the century, we would trek into the snowy woods
to begin the hunt for the perfect tree.
After trudging
for an hour through the deepest part of the woods we would end up back at the forest
edge where we began.
“That’s the
one!” my father would declare, eyeing a tall balsam that was the first tree we
had passed when entering the woods an hour earlier. “It’s perfect.”
The perfect
tree always was balsam and always a giant, 20 to 30 feet tall. Balsam held their
needles much better than spruce, my father said, and the tallest trees had the
best crowns.
The harvesting
began with my father cutting away lower branches to make room to swing the axe
into the tree’s smooth trunk. The thunking of the axe resounded through the forest
as wood chips floated in the air like oversize pieces of confetti.
This was strenuous
work and after a minute or two my father’s rimless glasses would fog, making it
difficult for him to see the angle of the cut, which determined where the tree
would fall.
My father told
us precisely where the tree would fall but anyone betting on the accuracy of his
precision was sure to lose their money. Or consciousness, if you could not get
out of the way quickly.
We children witnessing
the cutting were frozen with apprehension as the axe did its work. The first crack
signalling that the tree was falling sent us scrambling through the snow,
desperately trying to guess where the tree would land.
When the tree
was down, and all bodies counted to ensure no one was pinned beneath it, the
crown would be measured for living room height and the axe would be put to work
again.
There was no
enlightened environmental thinking back then. We were surrounded by tens of
thousands of trees and no one thought twice about cutting a large healthy
specimen and taking just its crown for Christmas.
After being
dragged home the tree was anchored in a pail of hard-packed sand and set in a
corner of the living room.
Strings of
ancient lights that could never pass an electrical inspection were placed strategically
on the branches. Then coloured balls were hung on branch tips where they would catch
and reflect the red, blue, green and yellow lights.
Then came that
final, and most important, decorating step – adding the tinsel.
Tinsel was the real deal back then, long strips
of tin or lead foil that were malleable and could be bent around a branch to
stay firmly in place. Not like today’s flimsy silvery strips that fly off
at a sneeze.
Tinseling the
tree was an art performed only by father. He did, however, instruct us in the
do’s and don’ts of tinsel hanging so we could participate as we got older. Sort
of an apprenticeship in tinsel hanging.
When every
branch was fully draped with tinsel all our family would gather around the tree,
eyes wide with wonder. No one said a word as the glow from the tree’s colourful
lights danced happily off the decorative balls, sparkling tinsel and our
awe-filled faces.
No words were
needed because no one needed to be told that we were viewing the perfect Christmas
tree.
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